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Angelo Lo Conte博士

視覺藝術院助理教授

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Angelo Lo Conte博士

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簡歷

 

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Dr Lo Conte is the author of The Procaccini and the business of painting in Early Modern Milan, published by Routledge in 2021. His contributions to numerous academic journals and edited volumes have appeared in English and Italian. His research has been supported by individual project grants, fellowships and residencies from institutions that include the Research Grant Council of Hong Kong, the Australian Government (through the Endeavour Fellowship Programme), the Renaissance Society of America, the Ian Potter Museum, Melbourne, the Trustees of the Burlington Magazine Foundation, the Australasian Centre for Italian Studies and the Italian Ministry of Foreign Affairs.

 

 

研究項目

  • 'Seeing the Invisible:Visual Representations of Disability in Early Modern Europe (1400-1700)'. General Research Fund (GRF) (2022-2025). University Grants Committee Hong Kong. 
  • 'The Colours of Silence: Untold Stories of Deaf Painters in Early Modern Europe'. Early Career Scheme (ECS) (2020-2022). University Grants Committee Hong Kong.

 

成就

  • Award, AVA Performance Award in Early Career Teaching, HKBU (2022)
  • Fellowship, Samuel H. Kress Fellowship in Art History, Renaissance Society of America (2022)
  • Award, AVA Performance Award as Young Researcher, HKBU (2021)
  • Fellowship, David Rosand Library and Study Centre, Venice (2018)
  • Fellowship, Ian Potter Museum of Art, Melbourne (2017)
  • Prize, Francis Haskell Memorial Fund (2014)

 

出版

  • Lo Conte, Angelo. 'Talking colours: Ercole Sarti and the verses that gave voice to his paintings'. Source: Notes in the History of Art, forthcoming, 2022.
  • Lo Conte, Angelo. ‘Crossroads of artistic creation: the Procaccini family in Milan’. In Pictor. Le métier de peintre en Europe au XVIe siécle, Audrey Nassieu Maupas and Michel Hochmann (eds.), Paris: École Pratique des Hautes Études, forthcoming 2022.
  • Lo Conte, Angelo. 'A Visual Testament by Luca Riva, a Deaf and Mute pupil of the Procaccini'. Renaissance Studies, 32, 2 (2022), 223-251.
  • Lo Conte, Angelo. The Procaccini and the business of painting in early modern Milan. New York and London, Routledge: 2021.
  • Lo Conte, Angelo. ‘Antipodean prints: Joseph Burke and the development of the University of Melbourne’s print collection’. Journal of the Australian Library and Information Association, 69 (2020), 179-190. https://doi.org/10.1080/24750158.2020.1755924
  • Lo Conte, Angelo. ‘Carlo Antonio and the bottega Procaccini’. Zeitschrift für Kunstgeschichte, 83 (2020), 7-32. https://doi.org/10.1515/ZKG-2020-1001
  • Lo Conte, Angelo. ‘Piranesi, Guercino and Goold’s fascination for the Baroque’. In The Invention of Melbourne, Jaynie Anderson, Max Vodola and Shane Carmody (eds.), Melbourne: Melbourne University Press, 2019, 166-179.
  • Lo Conte, Angelo. ‘How one Global Collection of Old Master Prints was created: the nine Sadeler albums in the Baillieu Library of the University of Melbourne’. Journal of the History of Collections, 30, (2018), 339-350. https://doi.org/10.1093/jhc/fhx018
  • Lo Conte, Angelo. ‘Sadeler and Procaccini: the secular decoration of Castello Visconti di San Vito in Somma Lombardo’. Explorations in Renaissance Culture, 44 (2018), 27-46. https://doi.org/10.1163/23526963-04401002
  • Lo Conte, Angelo. ‘The Garden of Love (Studio of Antonio Vivarini)’, in Love: Art of Emotion 1400-1800, Angela Hesson and Charles Zika (eds.), Melbourne: National Gallery of Victoria, 2017, 72-73.
  • Lo Conte, Angelo. ‘Federico Borromeo e l’invenzione della ghirlanda di fiori: evoluzione italiana di un genere pittorico’, Italian Studies, 71 (2016), 67-81. https://doi.org/10.1080/00751634.2015.1132607
  • Lo Conte, Angelo. ‘Giovanni Battista Piranesi: rediscovering the antiquity’. In The Piranesi Effect, Gerard Vaughan and Kerrianne Stone (eds.), Sydney: New South, 2015, 79-93.
  • Lo Conte, Angelo. ‘Symbolism of blood in two masterpieces of the early Italian Seicento’ Journal of Baroque Studies, 3 (2015), 109-129.
  • Lo Conte, Angelo. Guida all’arte medievale in Finlandia. Helsinki: Edizioni della Rondine, 2014. ISBN: 978-952-67725-1-6.

 

專訪

藝術的時間行者

Dr Lo Conte

 

數年前，視覺藝術院助理教授Angelo Lo Conte博士在意大利的米蘭國家檔案館搜集資料時，無意中發現一份相當有趣的文獻。這份源自17世紀的手稿是米蘭聽障畫家Luca Riva繪畫的遺囑，有別於傳統用文字表達的形式，這份遺囑是透過圖畫來闡釋遺產的分配。

 

如此獨特的手繪遺囑觸發Lo Conte博士的興趣，開展研究項目「寂靜的色彩：揭開近代歐洲聾啞畫家鮮為人知的過去」，探究在16及17世紀的歐洲，藝術與殘障之間的相互關係。他說：「我想大概Luca Riva並非唯一成就非凡的聾啞藝術家，於是着手研究同期聽障和語障畫家的藝術生涯。」 

 

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